Showing posts with label doctor who. Show all posts
Showing posts with label doctor who. Show all posts

Thursday, 9 January 2014

1.02 The Daleks



The First Doctor with Susan, Ian and Barbara
Follows on from An Unearthly Child


 Background

Only the second ever Doctor Who story to be aired, The Daleks can be quite a daunting serial to watch for the uninitiated – even hard-core fans of the classic era have been known to find it hard going, and I certainly did the first time I watched it. Re-watching it, however, having become more familiar with the First Doctor and his companions and the structure of their stories, I find it quite delightful, packed full of character insight and development.

This is one of those stories where the gulf between the old and the new is at its widest, so it is important to bear in mind the difference in structure between Doctor Who in 1963 and the 21st century rebooted show. When we modern viewers look back on classic serials like this one, we tend to think of each multi-episode adventure as the equivalent of a single episode of the rebooted show, and are therefore aghast at the thought of that single episode plot being stretched out across seven instalments. Yet taking that approach to this story does it a huge disservice because it was never intended to be viewed in that way– just as a marathon cannot be viewed in the same way as a sprint. A serial like The Daleks has more in common with a mini-series like Torchwood's Children of Earth, in fact, in that although the episodes are not standalone, they are self-contained, each telling its own smaller story which then feeds into the next, all adding together and building to form the larger whole; although the complete mini-series may be considered as one story, those episodes were made to be viewed individually, over a period of time.

When The Daleks began its run, in December 1963, it was not known by that name, nor was it known to viewers that this was going to be a seven-episode adventure that could later be known under that umbrella title, because every episode of the show had its own title and all formed part of one long ongoing story. So, for instance, what we now consider to be the opening episode of this serial, the episode titled 'The Dead Planet', was to viewers simply the fifth instalment of the ongoing story of the Doctor and his companions, picking up where the last episode, 'The Fire-maker', left off. When approached in that way, the structure and pace of the serial begin to make a lot more sense.

Bearing all of this in mind, therefore, The Daleks is best approached not as a single entity with one plot stretched thin across seven episodes, which it isn't – the primary story arc running through the serial in fact divides neatly into two main plotlines, the one laying the groundwork for and setting up the other – but rather as a series of individual episodes, each a discrete entity with its own story to tell while also adding up to a larger whole. The overall story is long and drags a bit in places, there's no doubt about that, but the focus is largely on the characters rather than the plot, which is always going to be the way to my heart. So, if you watch this serial expecting it to be one long exciting story all about Daleks from start to finish, you are going to be sorely disappointed and also rather bored, but if you watch it as it was intended, with each 25-minute episode viewed on its own terms as part of an ongoing story about the characters and their adventures, it is a lovely serial to watch.

That said, this is the Doctor's first encounter with the Daleks, and is well worth watching for that reason alone. Just think about it for a moment. That long and tangled history he has with them, all those furious confrontations and epic battles, the Time War and the destruction of Gallifrey…all of that can be traced back to this story, this first encounter, which set the tone for everything that has followed. For anyone who ever watched the Ninth Doctor adventure Dalek and wondered what the backstory was, well, that backstory begins right here, in The Daleks.

Wednesday, 8 January 2014

Doctor Who 1.01 An Unearthly Child



The First Doctor with Susan, Ian and Barbara

DOCTOR: "We are not of this race. We are not of this Earth. We are wanderers in the fourth dimensions of space and time, cut off from our own planet and our own people by aeons and universes that are far beyond the reach of your most advanced sciences."


Background

It is said that the past is a foreign country, they do things different there – and this is certainly true of the world of television. That being the case, it isn't easy for a modern viewer, trained to expect particular narrative and production styles, to go back to the very beginning of Doctor Who and re-watch episodes that were made in 1963, when everything about the nature of television was so very different.

Veterans of twenty-first century television are accustomed to fast-paced and sophisticated productions stuffed with action and witty banter, shows with high production values and glossy special effects, utilising the very latest in rapidly developing technology and filmed in high definition for a digital age. We are able to record our shows or buy them on DVD so that we can re-watch them over and over, scrutinising every tiniest detail and analysing frame-by-frame, gathering online the moment each new episode ends in order to dissect and discuss what we just saw. Twenty-first century television is an immersive, interactive experience that can be re-lived over and over, squeezing every last nuance out of each and every frame, with intricate story arcs woven through seasons and intertwined with intense emotional character arcs – arcs that are built, in fact, around the knowledge that viewers can and will re-watch every episode over and over, often in marathon viewing sessions, and are designed to reward such dedication.

In 1963, however, television was still in its infancy and was a very ephemeral, throwaway medium. Doctor Who was created as a low budget, educational tea-time science fiction show aimed primarily at children, with the expectation that each episode would be aired once and once only. The show was structured as an ongoing serial, with each 25 minute instalment leading directly into the next – there was no such thing as a standalone episode; there was simply the show: one long, ongoing adventure. Since each episode could only be seen once, the show had to tell simple, straight-forward stories that could be easily followed from one week to the next, focusing on the characters and how they handled whatever situation they found themselves in, rather than on intricately convoluted plots and sub-plots requiring multiple viewings to grasp all the nuances. The cast rehearsed during the week, but then filmed each episode 'as live', with each scene shot in sequence, usually in a single take; if a mistake was made, so long as it wasn't catastrophic they simply had to carry on, as there wasn't time to re-shoot. The show was filmed mainly on set, with little or nothing in the way of special effects or post-production – indeed, watching the 26 years of the classic show in chronological order is quite an education in the gradual evolution of televisual technology through the 1960s-80s. Between the mistakes, primitive sets, theatrical acting styles and use of heavy, static cameras, the early episodes can have the feel of a filmed stage play rather than a television drama, relying on the imagination of the viewer to fill in the gaps.

Almost everything about the structure and production of those earliest seasons feels alien to a modern viewer, accustomed to hi-tech and fast-paced shows to match our hi-tech and fast-paced lifestyles, but we should be careful not to impose modern expectations onto vintage television. Just because something is old and outdated doesn't mean it has nothing to offer. Classic shows such as Doctor Who can never conform to modern standards because they were made for a very different age and for very different viewing habits, but if we adjust our expectations to meet the show on its own terms and watch it in the spirit with which it was made, if we can take our foot off the gas long enough to appreciate a simpler story told at a slower pace, the experience can be tremendously rewarding. Although it might come as quite a culture shock to the uninitiated, for those able to overcome that culture barrier and accept it for what it is instead of dismissing it for what it isn't, the early show is rich in characters and ideas and feels wonderfully fresh and free. Everything about Doctor Who was brand new in 1963. There was no set formula to adhere to, no constraint imposed by backstory or tradition – the fledgling show was free to explore its concept to the full, limited only by what could be achieved by 1960s television production.

These early adventures form the origin story of the Doctor, the story of how he came to fall in love with the human race, the story of how he became the hero that later generations have come to take so much for granted. And for those able to look past the serialised narrative structure, primitive production values and theatrical acting style to fully engage with the characters and their situation, those first seasons of the show are tremendous fun to watch.

Monday, 2 April 2012

Doctor Who quotes

SARAH: “How long have we been travelling?”
DOCTOR: “Hmm? What did you say?”
SARAH: “You promised me we’d be back in London five minutes before leaving Loch Ness.”
DOCTOR: “Did I?”
SARAH: “Oh, you’re trying to wriggle out of it.”
DOCTOR: “Wriggle out of what?”
SARAH: “Your promise.”
DOCTOR: “Listen, we’re on the edge of a time-space vortex and you’re talking in minutes.”
SARAH: “Oh, I see. What’s gone wrong this time?”
DOCTOR: “Nothing. Nothing at all. What makes you think something’s gone wrong?”
SARAH: “Because you always get rude when you’re trying to cover up a mistake.”
DOCTOR: “Nothing of consequence. Slight overshoot, easily rectified.”
SARAH: “Come on, where are we?”
DOCTOR: “We’ve come out of the time vortex at the wrong point, that’s all. A few years too late.”
SARAH: “How many?”
DOCTOR: “Thirty thousand.”
Planet of Evil

Thursday, 1 March 2012

Doctor Who - Ark in Space

Ten Reasons Why I Love Harry Sullivan


  1. So pretty! Check out the eyes and the curls and the epic sideburns!
  2. He’s wonderfully laid back, which stands him in good stead where travelling with the Doctor is concerned; once the initial culture shock has worn off, he just takes all the crazy completely in his stride!
  3. He may not always fully understand what’s going on, but he’s always willing to pitch in and help.
  4. He’s brave. He gets scared when faced with deadly danger on alien planets, and is man enough that he can admit it, but he never runs and hides; he faces danger head on and doesn’t let fear stop him doing the right thing.
  5. He’s so very well meaning and so endearingly apologetic about his clumsiness.
  6. He’s capable of so much more than he thinks he is, as the Doctor proves many times during their adventures – be it operating wildly futuristic technology, performing an autopsy on a giant space bug, or sabotaging a Sontaran spaceship…if asked, Harry will give it a go and always succeeds.
  7. He’s the perfect English gentleman and officer, always so impeccably turned out – but he can also handle himself in a fight and isn’t afraid to get his hands dirty for the greater good.
  8. He’s so very jolly hockey-sticks – such a natural cheer-leader, always so enthusiastic and congratulatory about other peoples’ success, and utterly sincere with it, absolutely adorable.
  9. He saves the Doctor’s life several times over during their adventures together – including one time while concussed and a prisoner, and no one ever finds out that he did it.
  10. He has a healer’s instinct: if he sees someone sick or injured, he rushes straight to them, without hesitation, to see what he can do for them.
  11. He is not an imbecile.
  12. He’s a sweetheart. ‘Nuff said!

Wednesday, 28 December 2011

Doctor Who quotes

Lily: "What's happening?"
Doctor: "No idea. Do what I do. Hold on and pretend it's a plan."

Doctor Who: The Doctor, the Widow and the Wardrobe

Monday, 12 December 2011

Doctor Who quotes

DOCTOR: "Just one small question ... why do you want to blow up the world?"


Doctor Who 4.03 The Underwater Menace

Tuesday, 6 December 2011

The Evolution of the Doctor - from zero to hero

The Doctor
I've been having something of a binge on Classic Doctor Who lately. There's plenty there to choose from, of course, so this could keep me going for quite some time. I've mostly been sticking to the Doctors I remember best from my childhood, picking out odd stories here and there pretty much as the whim strikes me, but I've also gone back to the very beginning and watched a few of the very earliest First Doctor stories, which I had never seen before, to get more of a feel for where the character comes from. The latest season of NuWho made such a big deal about what the Doctor has become and the mystery of who he is, I felt the need to get back to basics and re-discover who he was back then and how he started out.

Classic Who can be a bit hard to watch at first for someone more accustomed to modern television standards. It's very different from the re-booted show as we know it today, so there's a lot to adjust to, and it can take a good few stories to tune your brain into the slower rhythm of the classic show and its serialized narrative structure. This is especially true of the First Doctor's stories, made way back in 1963 when television was still heavily grounded in theatre. There's not much subtle about it; it's a bit like watching a stage play that's been filmed – which, in many ways, is pretty much exactly what it is. A lot of allowances have to be made, but I find that the trick is to hook into the characters and the story, because if you can do that, all those other issues just fall away. And it's worth making the effort to get to know the Doctor that bit better, to learn who he was before the re-boot reinvented him for modern times – to experience some of the friendships and adventures that helped shape him into the man he is today.

Susan and the Doctor
So, the First Doctor – it's an incredible journey that takes him from here to Eleven! When we first meet him, he is basically a recluse. Once a pioneer among his own people, he says, he is now an outcast, and we have never learned quite why, but he has reacted by withdrawing deep into his shell. Travelling the universe with his granddaughter Susan in what we have since learned is a stolen Tardis, his only interest in the planets they visit is scientific. He is not interested in people or their problems at all. He is certainly not the hero of the show, merely its catalyst…in many ways, even, something of an antagonist. As the show opens, he and Susan have been living in London 1963 for five months, but the only reason they have stayed that long is because Susan likes it there. To the Doctor, it is just another place, populated by primitives, for him to study objectively but not get attached to.


The Doctor, Barbara and Ian
But then along come Ian and Barbara, teachers from the school Susan has enrolled at – because, unlike her grandfather, she craves company and society. They are concerned and curious enough about their strange student to try to visit her at her home address, and then, thanks to circumstance, suspicion, misunderstanding and clashing personalities, find themselves inside the Tardis…whereupon the Doctor panics and takes off with them aboard, so that they can't tell anyone what they have seen. His attitude toward them is high-handed in the extreme, to say nothing of hostile. To him, a technologically advanced alien, these humans from 1963 are little more than ignorant savages and he treats them as such: with utter contempt and disdain.

This is the starting point of the show. This is where the Doctor begins his journey. It isn't a promising start. It's just as well, then, that he doesn't also end there.

What happens to the First Doctor over the course of the next few stories is basically this: Ian and Barbara.

Barbara, Ian, the Doctor and Susan
Circumstance has thrown them together and circumstance also throws them headlong into a series of gruelling adventures that force them to cooperate with one another, like it or not, in order to survive. And through it all, quite without intending to, the Doctor gets to know his reluctant new companions – gets to know them as people, rather than the ignorant primitives he had originally dismissed them as. He sees them confronted by actual cave people, who truly are ignorant savages, and watches the way they treat those people with kindness and compassion, rather than the disdain he had heaped upon them for being similarly primitive in comparison to himself. He sees the courage and determination they display as they are plunged from one ordeal to another, always trying to do the right thing by those they meet and standing up for the oppressed wherever they find them, battling culture shock all the while. He sees their willingness to forgive the way he has treated them and to cooperate with him despite his appalling behaviour. He sees their loyalty and ingenuity and adaptability.

And he realizes that he was wrong. They might be intellectually primitive, compared with him, but what the Doctor learns through the course of his adventures with Ian and Barbara is that they don't need to be his intellectual equals in order to have value, because they are remarkable individuals in their own right, who are more than worthy of his trust and friendship, even admiration and respect.

Barbara, Ian and the Doctor
This, right here, is the very beginning of the Doctor's enduring love affair with the human race, which still going strong now – almost 50 years later for us, perhaps many hundreds of years later for him. He has been actively seeking out human companionship ever since, delighting in how wonderful they can be – and lamenting when they fail to live up to the standard set for them. It is also the start of the Doctor's journey toward becoming the hero of his own story, as he begins his transition from isolationist to interventionist. And it unfolds on-screen, right before our eyes. The television might be primitive, compared with our modern standards – in much the same way that Ian and Barbara seemed primitive to the Doctor, until he got to know them properly and learned to appreciate them for who they are, instead of dismissing them for what they are not – but as a piece of character history and development it is absolutely fantastic.

…plus, those early adventures also see the birth of the Doctor's equally enduring enmity with the Daleks, but that's another story…

Friday, 18 November 2011

Doctor Who quotes

Harry and Sarah
"And there was Harry...oh, I loved Harry. He was a doctor. He did wonderful work with vaccines, saved thousands of lives."

Sarah Jane Smith tells her young friends about a beloved former companion, in the Sarah Jane Adventures episode 'The Death of the Doctor'

Thursday, 17 November 2011

Doctor Who quotes

SARAH: What's gone wrong this time?
DOCTOR: Nothing. Nothing at all. What makes you think something's gone wrong?
SARAH: Because you always get rude when you're trying to cover up a mistake.
DOCTOR: Nothing of consequence. Slight overshoot, easily rectified.
SARAH: Come on, where are we?
DOCTOR: We've come out of the time vortex at the wrong point, that's all. A few years too late.
SARAH: How many?
DOCTOR: Thirty thousand. 



Doctor Who, Planet of Evil

Tuesday, 15 November 2011

Doctor Who quotes

Harry and the Doctor
DOCTOR: Any chance of a cup of tea?
TANE: What!
DOCTOR: Or coffee. My friend and I have had a very trying experience. Haven't we had a trying experience, Harry?
HARRY: Very trying, Doctor.
TANE: Step into the security scan.
DOCTOR: What, no tea?
TANE: Let me point out to you that you have no rights whatsoever. I have full authority to torture and kill any prisoner who does not comply absolutely with my orders. That is your first and last warning.
DOCTOR: No tea, Harry. 



Genesis of the Daleks

Monday, 7 November 2011

Doctor Who quotes

ROGIN: There's been a snitch up. Didn't I tell you, Lycett? Five thousand years ago I said there'd be a snitch up.
LYCETT: Ten thousand.
ROGIN: Oh, beautiful. We should have taken our chance with the solar flares and gone into the thermic shelters. We'd have been happily dead by now.



Doctor Who: The Ark In Space

Doctor Who quotes

DOCTOR: You're improving, Harry.
HARRY: Am I really?
DOCTOR: Yes, your mind is beginning to work. It's entirely due my influence, of course. You mustn't take any credit.



Doctor Who: The Ark In Space

Doctor Who quotes

Harry and Sarah Jane
HARRY: She's coming round.
DOCTOR: Good.
HARRY: Steady. Steady on, old girl. Steady on.
SARAH: Harry...
HARRY: Yes, I'm here, I'm here.
SARAH: Call me 'old girl' again and I'll spit in your eye.
DOCTOR: Welcome back, Sarah Jane. 



Doctor Who: The Ark In Space

Doctor Who quotes

SARAH: Doctor, you're being childish.
DOCTOR: Well of course I am. There's no point in being grown up if you can't be childish sometimes



Doctor Who: Robot

Monday, 17 October 2011

Doctor Who quotes

The Brigadier: Do you know what you're doing?

The Doctor: My dear chap, I can't wait to find out.

- The Daemons

Monday, 10 October 2011

Doctor Who quotes

The Fourth Doctor: "You know, the very powerful and the very stupid have one thing in common: they don't alter their views to fit the facts, they alter the facts to fit the views, which can be uncomfortable, if you happen to be one of the facts that needs altering."

Doctor Who quotes

The Doctor: "Aren't you going to say it's bigger on the inside? Everyone else does."
Benton: "That's obvious, isn't it?"

~Doctor Who 10.01 The Three Doctors

Doctor Who quotes

THE DOCTOR: Keep it confused. Feed it with useless information. I wonder if I have a television set handy?

Monday, 30 May 2011

Doctor Who quotes

"Logic, my dear Zoe, merely enables one to be wrong with authority."

~ The Second Doctor

Thursday, 19 May 2011

Doctor Who quotes

House: "Fear me. I've killed hundreds of Time Lords."
Doctor: "Fear me. I've killed them all."

~Doctor Who 6.04 'The Doctor's Wife'